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	<title>Robert Francis Ducado, Author at Tamang Usapan Podcast</title>
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	<title>Robert Francis Ducado, Author at Tamang Usapan Podcast</title>
	<link>https://tamangusapanpod.com/author/robert-ducado/</link>
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		<title>Mary at the Foot of the Cross: A Marian Lens on Social Justice</title>
		<link>https://tamangusapanpod.com/mary-at-the-foot-of-the-cross-our-lady-of-sorrows-and-social-justice/</link>
					<comments>https://tamangusapanpod.com/mary-at-the-foot-of-the-cross-our-lady-of-sorrows-and-social-justice/#respond</comments>
		
		<dc:creator><![CDATA[Robert Francis Ducado]]></dc:creator>
		<pubDate>Sat, 27 Sep 2025 06:00:00 +0000</pubDate>
				<category><![CDATA[Religion]]></category>
		<category><![CDATA[Catholic Social Teaching Mary]]></category>
		<category><![CDATA[Good Friday procession Mary]]></category>
		<category><![CDATA[John 19:25-27 reflection]]></category>
		<category><![CDATA[Marian devotion and social justice]]></category>
		<category><![CDATA[Mary at the foot of the Cross]]></category>
		<category><![CDATA[Mary standing by the Cross]]></category>
		<category><![CDATA[Mater Dolorosa meaning]]></category>
		<category><![CDATA[Our Lady of Sorrows]]></category>
		<category><![CDATA[Seven Sorrows of Mary]]></category>
		<category><![CDATA[Virgen Dolorosa Philippines]]></category>
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					<description><![CDATA[<p>Mary in the Good Friday Processions Familiar Scenes of Devotion Imagine this, dear brothers and sisters: Biyernes Santo ng hapon. Katatapos lamang ng liturhiya sa loob ng simbahan. Lalabas ang prusisyon. Anong imahen ang hindi pwedeng absent sa lahat ng mga simbahan tuwing Good Friday kasama ng Santo Entierro? Si Magdalena ba? Ang Pinatawad na [&#8230;]</p>
<p>The post <a href="https://tamangusapanpod.com/mary-at-the-foot-of-the-cross-our-lady-of-sorrows-and-social-justice/">Mary at the Foot of the Cross: A Marian Lens on Social Justice</a> appeared first on <a href="https://tamangusapanpod.com">Tamang Usapan Podcast</a>.</p>
]]></description>
										<content:encoded><![CDATA[
<h2 class="wp-block-heading has-large-font-size"><strong>Mary in the Good Friday Processions</strong></h2>



<h3 class="wp-block-heading has-medium-font-size"><strong>Familiar Scenes of Devotion</strong></h3>



<p class="has-medium-font-size wp-block-paragraph">Imagine this, dear brothers and sisters: Biyernes Santo ng hapon. Katatapos lamang ng liturhiya sa loob ng simbahan. Lalabas ang prusisyon. Anong imahen ang hindi pwedeng absent sa lahat ng mga simbahan tuwing Good Friday kasama ng Santo Entierro? Si Magdalena ba? Ang Pinatawad na Magnanakaw? Si San Pedro? Ang Nazareno? Wherever and whenever there is a Good Friday procession, you will always find the second most important character next to Christ: his sorrowful Mother.</p>



<h3 class="wp-block-heading has-medium-font-size"><strong>The Image of the Virgen Dolorosa</strong></h3>



<p class="has-medium-font-size wp-block-paragraph">Whenever one looks at the image of the Virgen Dolorosa during the Viernes Dolores (Friday before Good Friday) procession, the Viernes Santo Prusisyon ng Paglilibing sa Panginoon and the nighttime procession of the Soledad de la Virgen, it is impossible not to notice her unique figure and painful facial expression—her clothing, no matter how beautifully embroidered or adorned, is dark and gloomy, representing her own suffering as a mother; her eyes, filled with unspeakable sorrow and grief, with tears abundantly flowing on her face; her hands, usually clutched tightly in front of her; the semi-closed or slightly open mouth that seems to be breathing heavily or sighing, or even moaning in pain; her chest, usually adorned with a metal heart pierced by seven swords representing the sorrows she endured. </p>



<figure class="wp-block-image aligncenter size-full"><img data-dominant-color="886b4c" data-has-transparency="false" style="--dominant-color: #886b4c;" fetchpriority="high" decoding="async" width="738" height="983" data-attachment-id="860" data-permalink="https://tamangusapanpod.com/mary-at-the-foot-of-the-cross-our-lady-of-sorrows-and-social-justice/img_0575/" data-orig-file="https://tamangusapanpod.com/wp-content/uploads/2025/09/IMG_0575.webp" data-orig-size="738,983" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="IMG_0575" data-image-description="" data-image-caption="" data-large-file="https://tamangusapanpod.com/wp-content/uploads/2025/09/IMG_0575.webp" src="https://tamangusapanpod.com/wp-content/uploads/2025/09/IMG_0575.webp" alt="The Virgin of Sorrows looking at her Crucified Son. Photo by Fr. Lennon Caranzo taken from Sevilla, Spain's Semana Santa processions (2022)." class="wp-image-860 not-transparent" srcset="https://tamangusapanpod.com/wp-content/uploads/2025/09/IMG_0575.webp 738w, https://tamangusapanpod.com/wp-content/uploads/2025/09/IMG_0575-480x639.webp 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 738px, 100vw" /><figcaption class="wp-element-caption"><em>The Virgin of Sorrows looking at her Crucified Son. Photo by Fr. Lennon Caranzo taken from Sevilla, Spain’s Semana Santa processions (2022).</em></figcaption></figure>



<p class="has-medium-font-size wp-block-paragraph">This depiction of the Blessed Virgin Mary has always been familiar to most if not all of us. But, surely, may isang bagay na baka taken for granted natin at hindi man lang natin masyadong napapansin at napagninilayan sa imahen ng Mahal na Birhen Dolorosa. <strong>What is her position or posture? What is the significance of such a posture?</strong></p>



<h2 class="wp-block-heading has-large-font-size"><strong>The Gospel Foundation: Mary Standing by the Cross</strong></h2>



<blockquote class="wp-block-quote is-layout-flow wp-block-quote-is-layout-flow">
<p class="has-medium-font-size wp-block-paragraph"><em>Standing by the cross of Jesus were his mother and his mother’s sister, Mary the wife of Clopas, and Mary of Magdala. When Jesus saw his mother and the disciple there whom he loved, he said to his mother, “Woman, behold, your son.” Then he said to the disciple, “Behold, your mother.” And from that hour the disciple took her into his home.</em> (John 19:25-27)</p>
</blockquote>



<h2 class="wp-block-heading has-large-font-size"><strong>The Context of Crucifixion</strong></h2>



<h3 class="wp-block-heading has-medium-font-size"><strong>The Significance of Mary’s Posture</strong></h3>



<p class="has-medium-font-size wp-block-paragraph">First, let us look at the CONTEXT surrounding the Gospel passage we have just mentioned. The Passion narrative according to St. John mentions the significant posture of the mother of Jesus: <strong>STANDING.</strong> The evangelist did not surely write it down simply to tell a story and assign an action to a character of the drama. Although minimally stated by the evangelist as it appears in the narrative text, her being situated “by the cross” speaks volumes of her maternal nature, her compassion and above all, her faith in her own Son—she who is his first disciple and most loyal follower.</p>



<figure class="wp-block-image size-large"><img data-dominant-color="605041" data-has-transparency="false" style="--dominant-color: #605041;" decoding="async" width="869" height="1024" data-attachment-id="861" data-permalink="https://tamangusapanpod.com/mary-at-the-foot-of-the-cross-our-lady-of-sorrows-and-social-justice/crucifixionvandycklouvre/" data-orig-file="https://tamangusapanpod.com/wp-content/uploads/2025/09/CrucifixionVanDyckLouvre-scaled.webp" data-orig-size="2173,2560" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="CrucifixionVanDyckLouvre" data-image-description="" data-image-caption="" data-large-file="https://tamangusapanpod.com/wp-content/uploads/2025/09/CrucifixionVanDyckLouvre-869x1024.webp" src="https://tamangusapanpod.com/wp-content/uploads/2025/09/CrucifixionVanDyckLouvre-869x1024.webp" alt="The Crucifixion by Van Dyck" class="wp-image-861 not-transparent" srcset="https://tamangusapanpod.com/wp-content/uploads/2025/09/CrucifixionVanDyckLouvre-869x1024.webp 869w, https://tamangusapanpod.com/wp-content/uploads/2025/09/CrucifixionVanDyckLouvre-255x300.webp 255w, https://tamangusapanpod.com/wp-content/uploads/2025/09/CrucifixionVanDyckLouvre-768x905.webp 768w, https://tamangusapanpod.com/wp-content/uploads/2025/09/CrucifixionVanDyckLouvre-1304x1536.webp 1304w, https://tamangusapanpod.com/wp-content/uploads/2025/09/CrucifixionVanDyckLouvre-1738x2048.webp 1738w, https://tamangusapanpod.com/wp-content/uploads/2025/09/CrucifixionVanDyckLouvre-1080x1272.webp 1080w, https://tamangusapanpod.com/wp-content/uploads/2025/09/CrucifixionVanDyckLouvre-1280x1508.webp 1280w, https://tamangusapanpod.com/wp-content/uploads/2025/09/CrucifixionVanDyckLouvre-980x1155.webp 980w, https://tamangusapanpod.com/wp-content/uploads/2025/09/CrucifixionVanDyckLouvre-480x565.webp 480w" sizes="(max-width: 869px) 100vw, 869px" /><figcaption class="wp-element-caption"><em>The Crucifixion by Anthony van Dyck (ca. 1617)</em></figcaption></figure>



<h3 class="wp-block-heading has-medium-font-size"><strong>The Reality of Public Execution</strong></h3>



<p class="has-medium-font-size wp-block-paragraph">The scenario of the Crucifixion should be clear to us by this time. The cross where Jesus is crucified is already standing above the hill called Golgotha. It also translates to the “Place of the Skull”. The cross displays him in the sight of the crowds. Scenes of human tragedy have always attracted and involved the presence of curious onlookers. That time, the Jews were celebrating the Feast of Passover, hence the presence of vast crowds coming into and bustling around the city and its outskirts.</p>



<h3 class="wp-block-heading has-medium-font-size"><strong>The Brutality of Crucifixion</strong></h3>



<p class="has-medium-font-size wp-block-paragraph">The mother of Jesus is described as standing by the cross. To understand the gravity of the circumstances the mother has involved herself in, let us first look at the history and context of Roman execution by means of crucifixion wherein the victim is made to endure long hours of agonizing physical torments, as well as humiliation and loss of honor. Kung napanood po ninyo ang “Passion of the Christ” by Mel Gibson, you already have a clear idea of what I am talking about. During the time of Jesus, death sentence by crucifixion was among the most brutal, and the worst among the capital punishments of the Roman empire.</p>



<h2 class="wp-block-heading has-large-font-size"><strong>Mary’s Presence Under the Cross</strong></h2>



<h3 class="wp-block-heading has-medium-font-size"><strong>The Risk of Being There</strong></h3>



<p class="has-medium-font-size wp-block-paragraph">Now let us go back to the Mother of Jesus under the cross. Why was she there? Bakit siya nandoon? While the answer may seem obvious to us, the situation surrounding public executions such as that of Jesus is not the best scenario to involve oneself into.</p>



<h3 class="wp-block-heading has-medium-font-size"><strong>The Danger of Identification</strong></h3>



<p class="has-medium-font-size wp-block-paragraph">According to some scholars, records indicate that the (immediate) families of crucifixion victims could stand near them during their deaths. (As long as they do not create a riot or disturbance while the execution is being carried out. The Roman soldiers were alert and particular about this. Any indication of rebellion or riot could spell disaster and demise on the part of the instigators.]</p>



<p class="has-medium-font-size wp-block-paragraph">To identify oneself publicly as related to and standing with the condemned puts one at the menace of persecution and humiliation. We can only speculate on what can possibly happen to Mary as she stood there beneath the cross of Jesus. Maaring pagbabatuhin o bastusin siya ng mga kapwa niya Hudyo, dahil siya ang “Nanay ng rebelde at kriminal na pinarurusahan ng pagpapako.” She could also be insulted, laughed at and harassed by the Roman soldiers, who are known for their brutality and inhumaneness in such situations. In spite of it all, Mary persisted to be with her son despite looming threats and possibilities of suffering with him there.</p>



<h2 class="wp-block-heading has-large-font-size"><strong>The Posture of Mary and Its Significance</strong></h2>



<h3 class="wp-block-heading has-medium-font-size"><strong>The Meaning of Standing</strong></h3>



<p class="has-medium-font-size wp-block-paragraph">Secondly, let us turn our attention to the POSTURE of Mary, the meaning and the significance of such posture. Why is her posture and presence significant? Posture, especially standing, can simply refer to the bodily position. When joined to the idea of symbol, standing becomes an action that embodies a conviction because it transcends bodily capacity and goes as far as expressive of faith, adherence and solidarity.</p>



<h3 class="wp-block-heading has-medium-font-size"><strong>Women in the Time of Jesus</strong></h3>



<p class="has-medium-font-size wp-block-paragraph">In Jewish society and culture, most especially during the time of Jesus, women (together with children) were considered simply as second class citizens, hence they are powerless and voiceless. In the case of Mary, standing at the foot of the cross is the only thing she can do.</p>



<h3 class="wp-block-heading has-medium-font-size"><strong>Mary’s Silent but Strong Message</strong></h3>



<p class="has-medium-font-size wp-block-paragraph">Among the many reflections on Mary’s posture of standing as she watched her suffering son slowly and agonizingly dying, what stands out as relevant to us today, more than ever, is her unspoken yet strong message:</p>



<blockquote class="wp-block-quote is-layout-flow wp-block-quote-is-layout-flow">
<p class="has-medium-font-size wp-block-paragraph"><em>Sa mundong ito na puspos ng kawalan ng hustisya, may kaya pa akong gawin. Ang tumayo, makiisa at makiramay sa nagdurusa. At hinding-hindi ito kayang agawin o ilayo ninuman sa akin.</em></p>
</blockquote>



<h2 class="wp-block-heading has-large-font-size"><strong>Mary and the Kingship of Christ</strong></h2>



<h3 class="wp-block-heading has-medium-font-size"><strong>The Inscription on the Cross</strong></h3>



<p class="has-medium-font-size wp-block-paragraph">Only a handful of verses before the mentioning of Mary at the crucifixion scene, the inscription ordered by Pontius Pilate to be written and attached to the cross spoke of the controversial title of Jesus (cf. Jn 19:19), which triggered the Jews since the trial as if provoking them even more hence their demand for Pilate to change the contents (cf. Jn 19:21) of the said inscription. Ano ang nakalagay doon? Naaalala pa ba ninyo ang binabasang Pasyon tuwing Viernes Santo?</p>



<p class="has-medium-font-size wp-block-paragraph">The inscription ay nasusulat sa tatlong mayor na mga linggwaheng aktibong ginagamit noong panahon ni Hesus: Hebrew, Greek, and Latin. The Latin is the basis of the famous “INRI” inscribed on the upper portion of the vertical beam of our crucifixes: <em>Iesus Nazarenus Rex Iudaeorum</em> (Jesus the Nazorean, King of the Jews).</p>



<figure class="wp-block-image aligncenter size-large"><img decoding="async" src="https://fsspx.news/sites/default/files/styles/content_image_16_9_desktop/public/fsspxactualites/fsspxnews/2020/cara-de-la-virgen-dolorosa.jpeg?itok=PS6HLW6x" alt="The Virgin of Sorrows."/></figure>



<h3 class="wp-block-heading has-medium-font-size"><strong>Mary’s Identification with Her Son</strong></h3>



<p class="has-medium-font-size wp-block-paragraph">The presence of the mother near the cross is an obvious statement in itself: she identifies herself with the crucified—and everything about him, including his kingship—because he is her son and she is his mother. If the son is king, what would that make his mother? Kung ang anak ay hari, ano ang magiging tawag at estado sa nanay ng hari?</p>



<p class="has-medium-font-size wp-block-paragraph">Mary’s presence at the foot of the cross is her own response to what Christ declared in the earlier chapters and verses of the Gospel of John: <em>“Whoever serves me must follow me, and where I am, there also will my servant be.”</em> (cf. Jn 12:26).</p>



<h2 class="wp-block-heading has-large-font-size"><strong>The Compassion of Motherhood</strong></h2>



<h3 class="wp-block-heading has-medium-font-size"><strong>Mary as First Tabernacle</strong></h3>



<p class="has-medium-font-size wp-block-paragraph">Mary’s actual physical presence is driven by the natural tendency of motherhood. At the same time, of all people, she had a higher awareness of the divinity of this Divine Word made flesh. She gave birth to him. To the Living Bread from heaven—Jesus—she is his first tabernacle, his home. She is the closest witness of his human development from the womb, his first believer, his first disciple, and servant.</p>



<h3 class="wp-block-heading has-medium-font-size"><strong>The Comfort of Her Presence</strong></h3>



<p class="has-medium-font-size wp-block-paragraph">By her presence, even without involving the use of soothing words, the Blessed mother gives comfort and consolation to Jesus suffering on the cross. Her active presence is that of immeasurable compassion that characterizes the uniqueness of motherhood.</p>



<p class="has-medium-font-size wp-block-paragraph">Sa ating pang-unawa bilang tao, maaaring dito natin maididiin ang isang kasabihan, but with a twist: <em>“Hindi kayang tiisin ng isang magulang ang kaniyang anak.”</em> In the case of Jesus and Mary right then and there at the crucifixion scene, we can only infer na parehas nilang hindi matiis ang isa’t isa.</p>



<h3 class="wp-block-heading has-medium-font-size"><strong>The Pain of Mother and Son</strong></h3>



<p class="has-medium-font-size wp-block-paragraph">Aside from the physical pains brutally inflicted upon him by the temple guards and the Roman soldiers, what most probably adds to the pain of Jesus was the sight of his own grieving mother under his cross. He was all that she had. Si Kristo na nga lang ang mayroon siya, ngayon ay mawawala pa sa kanya. He was everything to her.</p>



<h2 class="wp-block-heading has-large-font-size"><strong>The Challenge and Invitation</strong></h2>



<h3 class="wp-block-heading has-medium-font-size"><strong>Mary as Model of Solidarity</strong></h3>



<p class="has-medium-font-size wp-block-paragraph">Mary, standing at the foot of the cross, shows us that <strong>solidarity with the suffering</strong> is not passive resignation but an act of faith and courage. Her presence is a prophetic stance against injustice.</p>



<figure class="wp-block-image alignfull size-large"><img decoding="async" src="https://e01-elmundo.uecdn.es/assets/multimedia/imagenes/2025/06/24/17507465023079.jpg" alt="María Santísima de la Esperanza Macarena. A venerated image of Mary in Sevilla, Spain. At first glance, one may think that she is a Virgin of Sorrows, but her official title is &quot;Virgin of Hope&quot;"/><figcaption class="wp-element-caption"><em>María Santísima de la Esperanza Macarena. A venerated image of Mary in Sevilla, Spain. At first glance, one may think that she is a Virgin of Sorrows, but her official title is “Virgin of Hope”</em>.</figcaption></figure>



<h3 class="wp-block-heading has-medium-font-size"><strong>A Marian Lens on Social Justice</strong></h3>



<p class="has-medium-font-size wp-block-paragraph">In a world marked by inequality, oppression, and violence, Mary’s silent but firm standing tells us that there is always something we can do: <em>to stand, to be present, to accompany, to show compassion</em>.</p>



<h2 class="wp-block-heading has-large-font-size"><strong>Conclusion and Prayer</strong></h2>



<h3 class="wp-block-heading has-medium-font-size"><strong>Final Reflection</strong></h3>



<p class="has-medium-font-size wp-block-paragraph">The Blessed Virgin Mary did not speak many words under the cross. But by standing there, she taught us the meaning of Christian discipleship, motherhood, solidarity, and faith.</p>



<h3 class="wp-block-heading has-medium-font-size"><strong>A Prayer</strong></h3>



<p class="has-medium-font-size wp-block-paragraph">Allow me, as a conclusion, to share to you the Ave Maria or Hail Mary to Our Lady of Sorrows, attributed to St. Bonaventure:</p>



<figure class="wp-block-pullquote alignfull"><blockquote><p><strong><em>Hail, Mary, full of sorrows</em></strong><br><strong><em>the crucified is with you.</em></strong><br><strong><em>Most tearful are you among all women</em></strong><br><strong><em>and tearful is fruit of your womb, Jesus.</em></strong><br><strong><em>Holy Mary, mother of the crucified</em></strong><br><strong><em>give tears to us, crucifiers of your Son,</em></strong><br><strong><em>now and at the hour of our death. Amen.</em></strong></p></blockquote></figure>



<p class="has-medium-font-size wp-block-paragraph">May the Blessed Virgin Mary, Our Lady of Sorrows, protect us and guide us on the way of life.</p>
<p>The post <a href="https://tamangusapanpod.com/mary-at-the-foot-of-the-cross-our-lady-of-sorrows-and-social-justice/">Mary at the Foot of the Cross: A Marian Lens on Social Justice</a> appeared first on <a href="https://tamangusapanpod.com">Tamang Usapan Podcast</a>.</p>
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